Inhalt: Registering a copyright to a song is not the easiest process, but it''s helpful for songwriters. It preserves your legal claims to songs and your ability to monetize them. In this course, Rich Stim provides essential guidance to navigate the process and understand the main language, concepts, and business aspects of music copyright. Rich starts by defining what a song copyright and a sound recording copyright are-and how they''re different. He defines who owns a song, and how to sort out contributions from multiple writers of the same song. Then he explains how to get a copyright registration using the U.S. Copyright Office''s online application process. The course wraps up by discussing possible objections that copyright examiners may have, as well as what to do to maintain your copyright and correct any errors that crop up. DISCLAIMER: This course is taught by an attorney (or other instructor) and addresses US law concepts that may not apply in all countries. Neither LinkedIn (including Lynda.com) nor the instructor represents you and they are not giving legal advice. The information conveyed through this course is akin to a college or law school course; it is not intended to give legal advice, but instead to communicate information to help viewers understand the basics of the topic presented. The views (and legal interpretations) presented in this course do not necessarily represent the views of LinkedIn or Lynda.com. Umfang: 01:07:15.00
Inhalt: Any band can encounter problems such as financial mismanagement and contract disputes. Learn to avoid the major music business pitfalls that can break bands apart in this course with Richard Stim, attorney and music law specialist. It starts with what it means to be the manager of a band, and what types of business structures are available for bands. Once you''ve decided on a business structure, you can create a band partnership agreement that covers voting rights, postbreakup scenarios, new members, and terms for resolving disputes. Richard also exposes potential sources of disputes, like ownership of the band name, songs, equipment, and recordings. He includes advice on negotiating solid band contracts and managing financial basics: taxes, income, cash flow, and bookkeeping. Finally, he''ll address how to protect your work, including your copyrights, band name, and songs, and explains how to find a lawyer-and save money on attorney fees. DISCLAIMER: This course is taught by an attorney (or other instructor) and addresses US law concepts that may not apply in all countries. Neither LinkedIn (including Lynda.com) nor the instructor represents you and they are not giving legal advice. The information conveyed through this course is akin to a college or law school course; it is not intended to give legal advice, but instead to communicate information to help viewers understand the basics of the topic presented. The views (and legal interpretations) presented in this course do not necessarily represent the views of LinkedIn or Lynda.com. Umfang: 00:58:49.00
Inhalt: Music contracts are tricky, but you''re more likely to have a successful career in the music business if you can understand and negotiate their terms. In this course, author and attorney Rich Stim covers the main language, concepts, clauses, and stipulations in four major types of contracts: recording, management, performance, and rights agreements. For example, when it comes to record contracts, it''s important to know how advances and royalties work, how to maintain creative control, and what happens when a member leaves a band. Rich also tackles management contracts, describing what managers can do for you-and what to do when you need to let them go. Next, he explores the basic terms, riders, and payment options in performance contracts. Then learn about releases, artwork permissions, publishing and producer agreements, and other types of legal arrangements. Rich wraps up the course with a discussion of oral agreements, attorney fees and roles, and five basic rules worth remembering for every music contract. DISCLAIMER: This course is taught by an attorney (or other instructor) and addresses US law concepts that may not apply in all countries. Neither LinkedIn (including Lynda.com) nor the instructor represents you and they are not giving legal advice. The information conveyed through this course is akin to a college or law school course; it is not intended to give legal advice, but instead to communicate information to help viewers understand the basics of the topic presented. The views (and legal interpretations) presented in this course do not necessarily represent the views of LinkedIn or Lynda.com. Umfang: 01:40:24.00
Inhalt: Podcasting is a great way to express yourself and connect with fans, but problems can arise when you''re discussing provocative people and controversial issues (or using someone else''s copyrighted content). In this course, author Rich Stim covers the legal and business issues associated with podcasting. He covers what you can and can''t use in your podcasts-to stay on the right side of the law. Rich also explains how to avoid disputes over your podcast, and addresses concerns about running a podcast business: generating an income, branching out when you need to hire help, paying taxes, and protecting your content with trademarks and copyrights. DISCLAIMER: This course is taught by an attorney (or other instructor) and addresses US law concepts that may not apply in all countries. Neither LinkedIn (including Lynda.com) nor the instructor represents you and they are not giving legal advice. The information conveyed through this course is akin to a college or law school course; it is not intended to give legal advice, but instead to communicate information to help viewers understand the basics of the topic presented. The views (and legal interpretations) presented in this course do not necessarily represent the views of LinkedIn or Lynda.com. Umfang: 01:05:44.00
Inhalt: Most musicians count themselves lucky to make money at a career they love. But income means taxes, and taxes can lead to many questions. What exactly counts as income? What can you write off? What happens if you get audited? In this music business course, author Rich Stim covers the most important tax issues for musicians. He starts with the basics: determining if music is a hobby or a business for you and how that affects your deductions. He then discusses money and the sources that determine gross income. From there, he shows the items you can deduct from your gross income-mileage, studio spaces, touring expenses, and other miscellaneous deductions-that can add up to big savings. Next, he covers the different tax rules for individual musicians, bands, general partnerships, LLCs, and corporations, and explains how to get an Employer Identification Number (EIN) when you need one. Finally, Rich navigates through the tax forms, including Form 1040, Schedule A, Schedule C, Schedule SE, Schedule K-1 (Form 1065), Form 4562, Form 8829, and Form 2016, and provides advice on hiring a tax preparer or going the DIY route with tax software. DISCLAIMER: This course is taught by an attorney (or other instructor) and addresses US law concepts that may not apply in all countries. Neither LinkedIn (including Lynda.com) nor the instructor represents you and they are not giving legal advice. The information conveyed through this course is akin to a college or law school course; it is not intended to give legal advice, but instead to communicate information to help viewers understand the basics of the topic presented. The views (and legal interpretations) presented in this course do not necessarily represent the views of LinkedIn or Lynda.com. Umfang: 00:56:24.00
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