Inhalt: A photo essay is a series of photographs that tell a story about a person, place, event, or trend. In this course, photojournalist Paul Taggart takes us on assignment as he photographs Kevin Carman, an artist in Ventura, California. Paul, whose work has appeared in publications such the New York Times and National Geographic, shares insights into how he prepares for an assignment, how he engages his subject, and how he takes advantage of unpredictable and unforeseen situations. The course concludes with a look at how the final essay might be sequenced and distributed. Umfang: 01:06:06.00
Inhalt: A rewarding photographic project involves shooting an essay that tells the story of a family member in a certain place and time: the brother with an interesting job or hobby, the grandparent with a lifetime of stories and experiences, or the parent you finally got to know as an adult. For a photographic storyteller, family members are great but challenging subjects, often more challenging than strangers to capture objectively. In this course, photojournalist Paul Taggart explores the unique challenges of documenting family as he shoots a photo essay about his brother, an amateur astronomer, avid ham radio operator, off-roading enthusiast, and dedicated father in rural Oklahoma. Umfang: 01:01:36.00
Inhalt: Although GoPro HERO cameras are typically used for sports and action shots, the truth is they're useful in any scenario that might challenge your regular DSLR or video camera. Think underwater shoots, down and (literally) dirty perspectives, and quadcopter-mounted aerial video and photography. It sounds like an ideal set of challenges for photojournalist Paul Taggart, who also shoots video for the Discovery Channel and other media outlets. In this course, he takes us to a farming community in the state of Washington to showcase creative uses for the GoPro HERO, in a variety of situations. He goes deep at a shellfish farm, gets footage from the tractor's perspective at an organic farm, and mounts the GoPro to a quadcopter to get aerial footage at a vineyard. At the end of each chapter, he recaps the shoot and reviews the final still photos and video. Umfang: 01:21:46.00
Inhalt: Paul Taggart, whose work has appeared in publications such the New York Times and National Geographic, has photographed dozens of photo essays-from stories of civil unrest in faraway lands to a kid's first camping trip. Here, he discusses the key concepts behind great photojournalism: the types of photos that make up a photo essay, the research and planning that goes into shooting one, and the art of sequencing the final shots in a way that tells the story. He also talks about the prospects for storytellers in the Internet age, and shows examples of photo essays that he has shot for major magazines and for his own personal projects. Umfang: 00:26:17.00
Inhalt: When you think of a photo essay or photo story, chances are you think of a collection of photos that were shot over a relatively short period of time. But a photo essay can span years. Long-term photography projects are a great creative outlet that can yield a powerful body of work. For photojournalist Paul Taggart, long-term photography has been part of the assignment. Taggart lived in Beirut during the 2006 Lebanon War, and covered Haiti in the aftermath of the 2010 earthquake. While he took the typical photos demanded by international news agencies and magazines, he also shot dramatic panoramas that showed the full scope of these events. In this course, Paul shares images from Beirut and Port-au-Prince, and discusses the painstaking challenges and the rewards of this type of photojournalism. Umfang: 00:33:34.00
Inhalt: Photography is a language, and while a single photo can be incredibly powerful, what''s even more powerful is a series of photos that tells a story. Most people think of news media when they think of photo essays. It''s true that photo essays are one of the cores of photojournalism, but they''re relevant in a lot of other ways, too-to document your family, the place where you live or work, or the business that your company conducts. The key is to think of a series of photos that work together to communicate your message. In this course, photojournalist Paul Taggart outlines the fundamentals of shooting a photo essay, from thinking about your story photographically to presenting your final photo story. Umfang: 01:37:49.00
Inhalt: Umfangreiches, reich illustriertes Handbuch, das in leicht verständlicher Weise mit den unterschiedlichen Maltechniken vertraut macht. Nach einem allgemeinen Teil, der Material, Farbe und Zeichentechniken behandelt, folgen die Ausführungen zu Aquarell-, Acryl-, Öl- und Pastellmalerei.
Aus dem Engl. übers. Systematik: Rdm 2 Umfang: 439 S. : überw. Ill. (überw. farb.) Standort: Kunst ISBN: 978-3-7701-8666-2
Inhalt: Oftentimes when you're traveling, you stumble upon a gem of a place or a person who deserves to have a story told. But you can't spend a week or even a day shooting them. You're on the road. You've got an hour to take shots that convey something of the story, and then it's back behind the wheel. Or back on to the cruise ship. Or back to your family. In this course, photojournalist Paul Taggart rises to the challenge and shoots a photo essay in only an hour. Shooting under time pressure is a common challenge for a photojournalist, and Paul describes the kinds of planning and shooting that gets results. Learn what kinds of shots you'll need for any type of photo essay, and learn how to engage and interact with subjects who you just met and might never see again. Umfang: 00:38:07.00
Inhalt: Whether you're photographing your kid's birthday party, a company event, or a political rally, the right gear and approach can help you capture personalities and special moments. In this course, follow Paul Taggart as he shares techniques for shooting a photo story about an event-in this case, a youth ice sculpting competition in the snowy wilderness of Fairbanks, Alaska. Paul shows how to document the early stages of an event, photograph people and moments at an event in full swing, and wrap up your shoot by capturing the last moments of an event. To wrap up, watch Paul photograph a bonus event-the changing colors of the Aurora Borealis. Umfang: 01:01:30.00
Inhalt: The standard photo essay is typically a collection of photographs documenting real events happening in front of the camera. Telling a story without action-with only portraits-creates a few challenges for the photographer. In this course, photojournalist Paul Taggart shows how using different types of portrait photography and selecting subjects that visually add to the narrative can tell a full and colorful story. Umfang: 02:03:31.00
Inhalt: In this course, learn how to leverage one of the most cutting-edge technologies out there, virtual reality (VR), to practice one of the oldest art forms, storytelling. With the snowy plains of Alaska as a backdrop, learn about the production and creative considerations behind shooting immersive photos and video for VR platforms such as Google Cardboard. Using both a multicamera unit with six GoPros attached to it and a Theta, photojournalist Paul Taggart shows you how to scout, shoot, and finish a photo and video story, telling the tale of a dogsled championship. You can watch the 360-degree VR movie that Paul created for this course on YouTube. Umfang: 01:43:50.00
Inhalt: See the benefits of learning to photograph wildlife in a controlled environment, and learn how to evoke emotion and personality in the animals you photograph. In this course, photojournalist Paul Taggart takes us to B. Bryan Preserve on the picturesque Northern California coast to study the wildlife there. Local preserves like B. Bryan are a great way to practice your skills before going on safari or to other exotic locations. He explains how to scout spaces, choose and handle gear for photographing wildlife, overcome various challenges (such as shooting around fencing), and stay safe while photographing wild animals. In the final chapter, Paul reviews his best shots of the preserve's famous giraffes, zebras, and sable antelopes. Umfang: 01:19:59.00
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